LiveJournal: Orpheum [ The Athenaeum | Euphony ]
The Athenaeum | Archives | 05.04.02

Public Entries
[01.19.04] O sweetest Melancholy!
[12.13.03] A dark contest of waves and winde;
A meer tempestuous debate.

[12.03.03] O Poesy! for thee I hold my pen
[11.05.03] My thoughts still cling to the mouldering past,
But the hopes of youth fall thick in the blast...

[10.11.03] The scholar and the world! The endless strife,
The discord in the harmonies of life!

[10.11.03] Let me not to the marriage of true minds...
[09.29.03] Too weak, for all her heart's endeavour,
To set its struggling passion free

[08.25.03] "I have nothing to declare except my genius."
[08.23.03] "Either that wallpaper goes, or I do."
[08.21.03] Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme
To take into the air my quiet breath

[05.05.03] The most insipid and meaningless drivel...
[05.05.03] Un chant mystérieux tombe des astres d'or.
[03.18.03] There is poetry in despair,
And we sang with unrivaled beauty,
Bitter elegies of savagery and eloquence.

[03.08.03] Totus mundus agit histrionem
[03.01.03] 'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

[02.27.03] My heart is as some famine-murdered land
Whence all good things have perished utterly

[02.23.03] Morituri te salutamus
[02.20.03] I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

[02.03.03] Because I could not stop for Death—He kindly stopped...
[01.31.03] Read this the tale of my despair...
[07.05.02] Hic astabo tantisper cum hac forma et factus frusta?
[03.05.02] The squalor of the soul
[03.03.02] Resplendence
[03.02.02] Mortality
Archived Entries
[03.15.03] Drivel of the Day | March 15, 2003
[02.21.03] Answers to the Common Knowledge Quiz
[02.21.03] Come one, come all!
Test your mental mettle: Common Knowledge Quiz

[02.17.03] Elen síla lúmenn' omentielvo
[02.16.03] The Conflagration of the Fripperies | Chapter the Third
[02.15.03] Shop! in the Name of Love...
[02.10.03] I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.

[02.10.03] I live in Possibility—
A fairer House than Prose...

[01.19.03] Quaff, oh quaff this kind nepenthe and forget...
[12.20.02] Of Love and Other Demons
[12.19.02] Vitanda est improba siren desidia
[12.16.02] Où nagent dans la nuit l'horreur et le blasphème
[10.23.02] Down With The CPP
[10.15.02] The Conflagration | Chapter the Second
[10.11.02] The Conflagration Chapter the First: Revised
[08.12.02] Varium et mutabile semper femina
[07.07.02] Aut insanit homo, aut versus facit
[07.04.02] Bibamus, moriendum est
[07.02.02] He's alive! Aliiiiiiiive!
[05.04.02] For love is a many-splendored thing...
[05.03.02] This is only a test...
[04.27.02] Caution: Wet Paint
[04.27.02] Everything you never wanted to know about me...
[04.26.02] Soirées and sadness
[04.23.02] Mustn't... go... home!
[04.22.02] My raging addiction
[04.21.02] The Life of Eric Jeffus: Apr. 18-21, 2002
[04.21.02] The shocking truth about dogs
[04.18.02] Operation: Apathy
[04.18.02] Need sleep, precious, precious sleep...
[04.18.02] The Black Sabbath
[04.15.02] God has no religion.
[04.15.02] Rituale Romanum
[04.14.02] Purgatory
[04.13.02] Self-defense (literally)
[04.12.02] Rumours of my death...
[04.12.02] On Counterculture.
[04.12.02] I am a Converse convert
[04.12.02] The Monster Stress Hath Begotten
[03.05.02] The crows will kill us all...
[03.03.02] Visions
[03.01.02] What happens to a dream deferred?

For love is a many-splendored thing... [05.04.02]

I watched Moulin Rouge the other night, and I have only one thing to say: Spectacular Spectacular! It is, by far, one of the finest films I have ever had the great fortune to see, encompassing incredible music (I procured both soundtracks posthaste), profound and genuine characters (albeit over-the-top at times), breathtaking cinematography (some of those scenes are impossibly complex), and a timeless, universal theme: that love can overcome all things; that people never truly live unless they have love.

Steeped in romance, intrigue, and absinthe, this bohemian masterpiece extolls the virtues of truth, beauty, freedom, and, above all things, love, serving to inspire and ignite one's imagination with not only vivid imagery but a stirring plot that uses parallelism to great effect. (The scene entitled "Le Tango de Roxanne," especially, conveys such emotion that it nearly brought me to tears.) In short, I absolutely loved the movie, and, although I can understand why some people might be put off by it (it is rather overdone and silly upon occasion), I do declare that the naysayers are wrong about Moulin Rouge.

Now, on to the actual topic of this entry: love.

Love, the most mysterious and mercurial of emotions. Love, that incorporeal force which can uplift our soul or lay waste our spirit. Love, elusive and ethereal, quintessential and quixotic, the enigmatic end-all-be-all of human experience. Have I fallen in love? Truthfully, no. Love has eluded and excluded me, or perhaps I it; someday, however, I shall find it, and I will recognize love by not words, nor caresses, nor lavishments, but by the eyes of my beloved.

Of all the body parts young women possess, the first I notice are the eyes. (I jest not, O ye of little faith.) Those "windows to the soul" (to borrow a cliché) are, without a doubt, the most expressive form of communication a human being has. Throughout a person's life, the only thing not to change are the eyes; from the crib to the coffin, they remain constant. Ye gods, the emotion that they express! Eyes show the subtle nuances between friendly affection and deeper feelings, anger, fear, joy, love. And the honesty, the unadulterated honesty, that eyes possess: The tongue may harbor lies, but truth is in the eyes. (A nice little epigram I devised, don'tcha think?)

Eyes reveal so much of a person's personality, intellect, and general disposition that it is hard to ignore them. There are intelligent eyes, bright with knowledge; joyful eyes, shining with happiness and crinkled by constant smile; sultry eyes, enticing and seductive; angry eyes, aflame with dormant rage; dull eyes, obscured by fatuity and nescience; myriad others, innumerable but each pair distinct in its own right. There are blue eyes, but there are even different varieties of those: clear blue, deep like pools of icy water; diverse shades of light and dark azure.

Two girls currently hold the majority of my attraction at the moment, both having brown eyes. But this is not boring, dim, murky brown; indeed, their eyes are alive, glowing with inner beauty and intelligence, kindness and good humor. It was their eyes that first appealed to me, drawing me in and alluring me with their simple charisma. Oh, the glory of girls' eyes! One girl at my school has big, gray-green eyes: sublime. The magnificence of most eyes is not their color, however; rather, it is the simple vivacity and life behind them that is so beautiful.

Well, that's about all I have to say on that subject, so now onto more mundane things.

I have my first AP test (Literature & Composition) on Monday at 8:00 a.m. Erg. The second (Language & Composition) is Thursday morning. (Thursday, by-the-by, is my birthday: "Happy Birthday, Eric! Here's a three-hour test that cost you $78!" Whee.)

I recently went to Borders and Wherehouse with Chris, and picked up a couple of great books (Fast Food Nation and The Slang of Sin) and a few CDs (No Substance, Bad Religion; Clarity, Jimmy Eat World; Very Proud Of Ya, AFI; the second Moulin Rouge soundtrack; and, although I didn't buy it, per se, I also acquired No Pads, No Helmets...Just Balls by Simple Plan).

I'm currently reading Fast Food Nation, about "The Dark Side of the All-American Meal" (imagine a modern The Jungle), and listening to a mixture of Bad Religion, Relient K, Simple Plan, and Moulin Rouge.

[Exit Orpheum.]