LiveJournal: Orpheum [ The Athenaeum | Euphony ]
The Athenaeum | Public | 02.27.03

Public Entries
[01.19.04] O sweetest Melancholy!
[12.13.03] A dark contest of waves and winde;
A meer tempestuous debate.

[12.03.03] O Poesy! for thee I hold my pen
[11.05.03] My thoughts still cling to the mouldering past,
But the hopes of youth fall thick in the blast...

[10.11.03] The scholar and the world! The endless strife,
The discord in the harmonies of life!

[10.11.03] Let me not to the marriage of true minds...
[09.29.03] Too weak, for all her heart's endeavour,
To set its struggling passion free

[08.25.03] "I have nothing to declare except my genius."
[08.23.03] "Either that wallpaper goes, or I do."
[08.21.03] Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme
To take into the air my quiet breath

[05.05.03] The most insipid and meaningless drivel...
[05.05.03] Un chant mystérieux tombe des astres d'or.
[03.18.03] There is poetry in despair,
And we sang with unrivaled beauty,
Bitter elegies of savagery and eloquence.

[03.08.03] Totus mundus agit histrionem
[03.01.03] 'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

[02.27.03] My heart is as some famine-murdered land
Whence all good things have perished utterly

[02.23.03] Morituri te salutamus
[02.20.03] I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

[02.03.03] Because I could not stop for Death—He kindly stopped...
[01.31.03] Read this the tale of my despair...
[07.05.02] Hic astabo tantisper cum hac forma et factus frusta?
[03.05.02] The squalor of the soul
[03.03.02] Resplendence
[03.02.02] Mortality
Archived Entries
[03.15.03] Drivel of the Day | March 15, 2003
[02.21.03] Answers to the Common Knowledge Quiz
[02.21.03] Come one, come all!
Test your mental mettle: Common Knowledge Quiz

[02.17.03] Elen síla lúmenn' omentielvo
[02.16.03] The Conflagration of the Fripperies | Chapter the Third
[02.15.03] Shop! in the Name of Love...
[02.10.03] I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.

[02.10.03] I live in Possibility—
A fairer House than Prose...

[01.19.03] Quaff, oh quaff this kind nepenthe and forget...
[12.20.02] Of Love and Other Demons
[12.19.02] Vitanda est improba siren desidia
[12.16.02] Où nagent dans la nuit l'horreur et le blasphème
[10.23.02] Down With The CPP
[10.15.02] The Conflagration | Chapter the Second
[10.11.02] The Conflagration Chapter the First: Revised
[08.12.02] Varium et mutabile semper femina
[07.07.02] Aut insanit homo, aut versus facit
[07.04.02] Bibamus, moriendum est
[07.02.02] He's alive! Aliiiiiiiive!
[05.04.02] For love is a many-splendored thing...
[05.03.02] This is only a test...
[04.27.02] Caution: Wet Paint
[04.27.02] Everything you never wanted to know about me...
[04.26.02] Soirées and sadness
[04.23.02] Mustn't... go... home!
[04.22.02] My raging addiction
[04.21.02] The Life of Eric Jeffus: Apr. 18-21, 2002
[04.21.02] The shocking truth about dogs
[04.18.02] Operation: Apathy
[04.18.02] Need sleep, precious, precious sleep...
[04.18.02] The Black Sabbath
[04.15.02] God has no religion.
[04.15.02] Rituale Romanum
[04.14.02] Purgatory
[04.13.02] Self-defense (literally)
[04.12.02] Rumours of my death...
[04.12.02] On Counterculture.
[04.12.02] I am a Converse convert
[04.12.02] The Monster Stress Hath Begotten
[03.05.02] The crows will kill us all...
[03.03.02] Visions
[03.01.02] What happens to a dream deferred?

My heart is as some famine-murdered land
Whence all good things have perished utterly [02.27.03]

[mood| muted]
[music| "Paper Airplanes (Makeshift Wings)" | AFI]

We have Oscar Wilde to thank for the title of tonight's entry; the lines above come from his "E Tenebris" [Latin: "Out of darkness"]. I am constantly in awe of Wilde: he was a truly prodigious writer, masterfully intertwining mordant wit with tales of Victorian propriety and etiquette; according to those who knew him, he was an utterly scintillating conversationalist (William Butler Yeats claimed that "I never before heard a man talking with such perfect sentences, as if he had written them all overnight with labour and yet all spontaneous"); and, altogether, he was a fascinating human being. I can only hope that if I ever do become a novelist I shall earn a fraction of the accolades Oscar Wilde did, and write anything that can even hold a guttering candle to the blinding lights of The Importance of Being Earnest and The Picture of Dorian Gray.

I have promised myself that I will make efforts to get to sleep at a somewhat decent hour for a while. So, bound to the honour of my word, I shall retire at 2:30 ante meridiem whether I want to or not, Melo be damned! (All right, perhaps 3 a.m.—the flesh is weak!) In any case, there really isn't much to report. I merely feel as if I should make some feeble attempts to hold your interest, although I know myself to be a rather boring person, given to bromides and insipid entries on the mundane happenstance of my generally uneventful life.

(As an aside, I have been listening to tracks from AFI's upcoming album Sing the Sorrow, which thus far is incredible, although I expect nothing less from one of the greatest bands ever to grace the earth. If you're curious, and would like to hear something other than the single being played on the radio, "Girl's Not Grey," try this website: Sing the Sorrow. It has a brief review of the album, its track listing, and four songs available as MP3s: "Girl's Not Grey," "This Celluloid Dream," "The Leaving Song Pt. 2," and "Paper Airplanes (Makeshift Wings)"—all are awesome.)

Over the past couple weeks I have been in something of a funk: whether it is merely general depression or a depressive stage in what is likely a swiftly approaching bipolar disorder (both my parents have it, the condition is apparently hereditary, and it's supposed to begin taking effect around my age) I do not know, but it has made life difficult, to say the least. I am suddenly stricken with lethargy, apathy, and an overwhelming urge to simply go to sleep and forget the world around me. This past weekend, I could not wake up before 2 p.m., and therefore was not able to fill out the application for Papyrus until this evening. I haven't been to French in over a week, turned in the rough draft of my final paper for Am. Lit. late, and, generally, have simply stopped caring about anything. From what I have heard, these vaguely resemble the symptoms that suggest suicidal tendencies, but I have no conscious desire to end my life (although that would undoubtedly work wonders for my writings); I suppose this yearning to sleep through the world's burdens could be interpreted as an implicit longing for death, but personally I don't believe myself to be that melodramatic. I shall work through this, however; I always do.

A further concern relates more with the title of this entry: I feel dead to the world, my heart, like that of the speaker of "E Tenebris," barren and anesthetised. I have discussed this with a few of my friends, one of whom I hurt because of my callous and reserved nature, and have come to the conclusion that I let no one in—I do not allow people to get close to me, but rather invariably hold them at a distance. Throughout the years, I have found that whenever I let people into my heart I get hurt; everything I experience reaffirms that still more strongly. In elementary school I once ran home sobbing every day, convinced that everyone hated me, judging from their harsh mockery and cruel taunts, both of which belittled and demeaned every aspect of me. Then one day I simply decided to erect a shell around myself, to present a stoic faÁade to the world which would withstand degradation; in effect, to detach myself from my deepest emotions. Although I had before worn my heart on my sleeve, only to have it be reduced to tatters by my pernicious peers, I would now no longer fall prey to their insults and ostracism.

Surprisingly, this did not work as I had intended it to. I had presumed that without the satisfying reaction of indignation or despair their ridicule incited, my detractors would stop attempting to hurt me. Instead, they continued, and I merely ceased to care. One might say that this was beneficial, as I stopped worrying about what people thought of me, although really I only became colder, more distant, aloof. I still cared what others thought of me, to a point, and, until recently, I allowed this to dictate my own sense of worth, well-being, and happiness. My indignation and despair were, instead, thrust deep within my psyche, where they would remain until they became too much to bear.

And so I remain today: my heart hardened and embittered by years of derision, rejection, and cynicism, perhaps unable to be pierced even by Cupid's glorious arrow of love. I rarely allow emotion to surface in the stagnant sea of my soul, but rather repress anger and sadness until they overwhelm me after having been pent up for so long. I suppose you could call me a true Intellectual: I live entirely in the mind, essentially devoid of emotional attachment. My relationships, save for a very select few, remain intellectual—rarely do I allow people a glimpse of what I'm truly feeling (if indeed I know myself); I have isolated myself from the world, unfeeling, nearly completely detached from emotion. Although I do consider myself an emotional person, somewhere deep within, that side of me is almost never brought to light. People see me as cold and unemotional, and I hardly blame them. I have been told that I am inscrutable and reserved, trapped in "emotional preschool" while those around me mature emotionally and leave me in the dust. Rather depressing view of life, wot? It is certainly something I shall have to examine further.

But for now it is 3:20 a.m., and I am both physically and emotionally exhausted. Never mind that I have 270 pages of Jane Eyre to read by 3 p.m. today (Thursday): I'm going to sleep. I apologise if this entry was incoherent or jumbled; I am not in the proper state of mind to write with my characteristic cogency. Until next we meet, mes amis, I bid you farewell. Au revoir, tout le monde, and bonne nuit...

[Exit Orpheum.]