LiveJournal: Orpheum [ The Athenaeum | Euphony ]
The Athenaeum | Public | 03.03.02

Public Entries
[01.19.04] O sweetest Melancholy!
[12.13.03] A dark contest of waves and winde;
A meer tempestuous debate.

[12.03.03] O Poesy! for thee I hold my pen
[11.05.03] My thoughts still cling to the mouldering past,
But the hopes of youth fall thick in the blast...

[10.11.03] The scholar and the world! The endless strife,
The discord in the harmonies of life!

[10.11.03] Let me not to the marriage of true minds...
[09.29.03] Too weak, for all her heart's endeavour,
To set its struggling passion free

[08.25.03] "I have nothing to declare except my genius."
[08.23.03] "Either that wallpaper goes, or I do."
[08.21.03] Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme
To take into the air my quiet breath

[05.05.03] The most insipid and meaningless drivel...
[05.05.03] Un chant mystérieux tombe des astres d'or.
[03.18.03] There is poetry in despair,
And we sang with unrivaled beauty,
Bitter elegies of savagery and eloquence.

[03.08.03] Totus mundus agit histrionem
[03.01.03] 'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

[02.27.03] My heart is as some famine-murdered land
Whence all good things have perished utterly

[02.23.03] Morituri te salutamus
[02.20.03] I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

[02.03.03] Because I could not stop for Death—
He kindly stopped for me...

[01.31.03] Read this the tale of my despair...
[07.05.02] Hic astabo tantisper cum hac forma et factus frusta?
[03.05.02] The squalor of the soul
[03.03.02] Resplendence
[03.02.02] Mortality
Archived Entries
[03.15.03] Drivel of the Day | March 15, 2003
[02.21.03] Answers to the Common Knowledge Quiz
[02.21.03] Come one, come all!
Test your mental mettle: Common Knowledge Quiz

[02.17.03] Elen síla lúmenn' omentielvo
[02.16.03] The Conflagration | Chapter the Third
[02.15.03] Shop! in the Name of Love...
[02.10.03] I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.

[02.10.03] I live in Possibility—
A fairer House than Prose...

[01.19.03] Quaff, oh quaff this kind nepenthe and forget...
[12.20.02] Of Love and Other Demons
[12.19.02] Vitanda est improba siren desidia
[12.16.02] Où nagent dans la nuit l'horreur et le blasphème
[10.23.02] Down With The CPP
[10.15.02] The Conflagration | Chapter the Second
[10.11.02] The Conflagration Chapter the First: Revised
[08.12.02] Varium et mutabile semper femina
[07.07.02] Aut insanit homo, aut versus facit
[07.04.02] Bibamus, moriendum est
[07.02.02] He's alive! Aliiiiiiiive!
[05.04.02] For love is a many-splendored thing...
[05.03.02] This is only a test...
[04.27.02] Caution: Wet Paint
[04.27.02] Everything you never wanted to know about me...
[04.26.02] Soirées and sadness
[04.23.02] Mustn't... go... home!
[04.22.02] My raging addiction
[04.21.02] The Life of Eric Jeffus: Apr. 18-21, 2002
[04.21.02] The shocking truth about dogs
[04.18.02] Operation: Apathy
[04.18.02] Need sleep, precious, precious sleep...
[04.18.02] The Black Sabbath
[04.15.02] God has no religion.
[04.15.02] Rituale Romanum
[04.14.02] Purgatory
[04.13.02] Self-defense (literally)
[04.12.02] Rumours of my death...
[04.12.02] On Counterculture.
[04.12.02] I am a Converse convert
[04.12.02] The Monster Stress Hath Begotten
[03.05.02] The crows will kill us all...
[03.03.02] Visions
[03.01.02] What happens to a dream deferred?

Resplendence [03.03.02]

Just a quickie for tonight, I'm afraid. [Posthumous (yes, I mean posthumous) comment: not exactly the quickie I had planned. It seems I do my best work after the witching hour, preferably sometime around, oh, three or four ante meridiem. But beware: after midnight, I become even stranger than I am during the day.] It's about four in the morning, and it shall be hard to remain intelligible even throughout this message. I have a couple of doozies planned for tomorrow, however, so look forward to those. (Or don't.) Now, on to the main event!

Disclaimer: this entry was written very, very late at night (or quite early in the morning, depending on how one looks at it), and is therefore most likely jumbled, incoherent, and nonsensical. If so, please disregard this idiocy and prepare to be returned to your regularly scheduled programming. Thank you for your cooperation.

Tonight (actually, this morning — it was about 1:00 a.m.), I was walking my dog (Zeus, a big, red, lovable mixed breed oaf), and saw something that immediately struck me as an excellent photo opportunity.

It was a bag of McDonald's food, in the middle of the street, that had apparently been run over.

The bag itself, of course, had been ripped to shreds, its tatters gliding over the asphalt on light zephyrs. But the contents of said bag were what represented to me a fascinating subject for abstract art. From the looks of it, some sort of burger, and orders of fries and chicken nuggets (McDonald's hasn't caught on that nuggets aren't "in" anymore) had been the unfortunate victims of a brutal hit-and-run.

The nuggets, already rather unrecognizable when first purchased, were now lumps of breaded gray, smashed into the contours of the street. The fries, touting impressive tire marks (which would, no doubt, be analyzed extensively by forensics teams who arrived on the scene), reminded one of deep-fried cadavers, stiff and greasy, their soft, chewy insides spilling out of crisp exteriors. The street had been turned into a mass grave, a hastily dug pit filled with lime-covered bodies that will rot in the sun, permeating the surrounding area with the sickening smell of thawed and processed potatoes gone stale.

But the burger was, without a doubt, the pièce de résistance, at once magnificent, majestic, and stomach-turning. A Big Mac? Quarter Pounder? It was no longer clear, as the cruelly spinning wheels of death had left it so gruesomely deformed that it no longer resembled anything edible. The bloated corpse lay in a pool of its own blood (burst ketchup packets), bun ashy and lifeless, patty oozing fat that would congeal before long, fragile lettuce torn asunder, the whole shebang swimming in an unidentifiable opaque white liquid deemed "secret sauce."

At one time, soon after being perfunctorily assembled by an angry and apathetic teenager (who, stricken with persistent acne and forced to wear a humiliating hairnet, resents not only authority in general, but every single goddamned meal he is obligated to create from heat lamp-warmed ingredients so he can keep this minimum-wage-paying job and make up for the allowance his parents deny him), the burger was complacent, hopeful, and ready to face the world. Some of his compatriots had not been as lucky: they had fallen on the floor by way of some indifferent clumsiness on the part of a dimwitted, underpaid assembler, had plummeted down into that unswept and rat dropping-laden chasm, had been picked up but not brushed off, had been brusquely thrown together, would not satisfy the customer.

But this burger was different. It had been lovingly crafted from only the finest ingredients: the most recently thawed (and least feces-ridden) processed meat product, the most mold-free bread, the least brown lettuce, the least suspicious opaque white liquid. Surely, its future was to be grand. It dreamed of its customer, whose gaping maw and pearly whites would be the Pearly Gates (the uvula acting as St. Peter, who would usher already disintegrating food particles into the abyss), whose stomach would be a dark and acidic Heaven. This burger was destined for great things.

But now, its life had been taken needlessly, yet another casualty of modern times, mere prey to B.F. Goodrich. Its multilayered body, once as glorious as those in the advertisements, was now but a chaos of condiments, a burger befallen by bedlam, a maelstrom of marketing research wrought into an inexpensive, consumer-tested creation that now sprawled on the cold, hard asphalt, its entrails splattered on midnight macadam, smote by some unknown but indisputably powerful forces.

Is life futile? Perhaps it is for those Frankenstein monsters of fast-food, devised in immaculately white, sterile laboratories, mayhap by cackling mad scientists and their hunchbacked assistants named Igor, from data compiled in experiments involving lightning, scavenged from meat product rejects, from bio-engineered vegetables grown in enormous clear plastic domes scattered throughout vast fields, from tripe, tongue, and other creepy uncles of beef, from cube-shaped tomatoes (now easier to stack!) and recycled bread, from thawed, sliced, and diced processed potatoes. Their purpose in life? To satisfy a customer either impatient or indiscriminate enough to be willing to stop (however momentarily) in a drive-through and pick up a cheap and easy meal on the way to work. To fill a niche created by a country obsessed with schedules, a nation whose philosophy is quicker-and-not-necessarily-better. Imagine yourself as a mass-produced hamburger, pitifully unable to hold a candle to the pictures on billboards, existing only to fulfill a shallow and superficial destiny. Would you consider your existence to be pointless? Perhaps.

[Exit Orpheum.]